The Many Lives of Benedict Arnold

By Brent Harris


Benedict Arnold as engraved by H.B. Hall

It took a long time for the soldier to die. The musket-ball itself was of a large enough calibre to be instantly fatal, but the ball only found flesh. It entered Benedict Arnold’s stomach, turned upwards and travelled through skin, skipping ribs, puncturing organs and tearing through tissue, dodging arteries and punching a hole through fat and muscle, before exploding out from the blackness and frailty of the human form, and lodging itself into a crater among the bullets and bodies lain strewn across the once gentle grasses of Saratoga.

Smoke filled the field. Thick and grey, it blinded the soldiers and stung their eyes with cruel acridity. As thick as it was, it couldn’t overcome the stench of copper, nor the foulness of bowels emptying from the once brave men-turned-corpses. His ears thundered, a soundless roar against the cacophony of small cannon cracking, muskets bursting, and drums pounding orders. His black horse neighed, reared upward at first and then fell, toppling its rider onto the ground between two British redoubts. Arnold lay crushed underneath the fallen horse. There was no air to breathe, nothing to staunch the flow of blood pouring out his wound, nothing to stop the slow slip of his soul coming to rest. If the Colonial general had lived but a moment longer, he would have heard the cheers of the Yankee soldiers successfully storming the British fortifications – a direct result of his bravery and sacrifice. He would have heard the brief cry of excitement by the British at felling such an imposing foe, followed by screams of pain and the hollering of horrors as they were overrun and chased down to die. Had he lived, he would have been raised in the revelry of victory rather than lowered into an early grave.

His enemies were unable to take credit. The fledgling US government had little choice but to recognise the actions of their most stubborn and wild general, for everyone loves a hero, everyone loves a martyr, and the dead Benedict Arnold was both.

The heroic acts of this Patriot were numerous. He struck a British fort early, providing much-needed cannon which lifted the siege of Boston. He travelled through wilderness in the dead of winter to prove the British were not invincible even in as remote an area as Quebec. He built, captured, and deployed the first U.S. Naval fleet and successfully kept the British Navy at bay single-handedly on Lake Champlain, which stalled the British invasion from the North. And finally, his rally of the soldiers at Saratoga led to the surrender of General Burgoyne, which made possible French involvement in the Revolution which directly led to America’s triumph over Britain.

And this is history. Or rather, alternate history.

In another world, one wherein Arnold did not die at Saratoga and the United States he'd fought for were split by Civil War, a Confederate corporal, alongside a private in pilfered Yankee trousers, call out to a courier. They inform the messenger he’d dropped something. Much obliged, the messenger rewards cigars to the helpful soldiers. If he’d lost Lee’s Special Order 191, which was wrapped around those cigars, and the Union General, McClellan, had found them, then the South “Would have lost the whole war.” This is, of course, the world Harry Turtledove stirred into reality in his book How Few Remain after one small act changes the shape of the United States. Imagine, everything you know is different, simply because an observant soldier noticed some cigars laying on the ground.


Harry Turtledove, photographed here in 2005 by Szymon Sokol and shared under the CC BY-SA 3.0 licence, is one of the most famous professional AH writers

Turtledove, of course, is far from unique in this. S.M. Stirling conjured a world of survivalism post ‘The Change’, a mysterious event that prevented technology from working, and examined how society broke down in the aftermath. In a more down-to-earth alternate history, Stirling also imagined a world where Teddy Roosevelt won a late third term and hastened American involvement into World War 1. Jack London wrote along the same vein in Iron Heel, about a brutal oligarchy that took power in 1914 America. Harry Harrison, Sprague De Camp, Stephen King and even Winston Churchill have all created their own world based off a single change from our own. Indeed an entire publishing house has been created off the idea.

Alternate history allows us to learn more about how our world came to be by examining what could have been. By nature, it is full of insight. Change one tiny thing, and a whole new world emerges. It’s important for historians to study what has had an historical impact and what hasn’t and not to fall too far into the 'Great Man' fallacy. Killing baby Hitler would have prevented World War II as we know it but, given the instability of inter-war Europe and Asia, it would certainly not rule out any major War being fought in the 1930s or 1940s and being called World War II. Therefore, it’s important for AH writers to act as social scientists and examine the social movements that have brought about social change. In fact it’s important for all writers to do this, even if AH is not our genre, as it forces us to ask questions. ‘What happens if?’ opens whole new possibilities and thus deepen worlds, even fictional ones.

It’s important to readers and viewers who want something new and fresh, who may be looking for that all-elusive escapism. What better than to escape into a whole new world, where you’re a rock star, rather than a check-in clerk at an airline? What happens when you can be a whole different person? What if a traitor could have been a hero, for instance?


John Trumbull's depiction of the Surrender of General John Burgoyne at Saratoga

Let’s look back at Benedict Arnold again. In our timeline, he was a traitorous villain. But he was also a tactical genius of a general who led from the front and always took the initiative. Disobeying direct orders, he plowed through Freeman’s Farm in Upper-State New York, Saratoga, and rallied his soldiers to fight onward against the formidable British fortifications. Soldiers followed him, and the battle shifted sides. In the process, he took a ball to his leg, an injury penultimate only to the wound to his pride as others took credit for his actions. It set him onto the path of betrayal and treason.

If only he had taken the bullet to his chest, a matter of a few feet, then this fallen founder would have died the hero rather living long enough to turn the villain. And America would have revered him. He would have statues built of him. Schools named after him. The name ‘Benedict Arnold’ would be associated with the word ‘Patriot’ rather than the title of traitor it implies today. If alternate history can turn a monster into a martyr by altering the path of a ball by a couple feet, then the genre says something profound about the way circumstances as much as character dictates reputation. Anything that can say something about who we are is at least as worth exploring as the other cousins of speculative fiction.

Science fiction explores what can happen in the future. Speculative fiction asks what can happen to us right now. Alternate history explores what could have happened in the past. In fact, all great works must start by asking the same question: What if? Philip K Dick asked what if the Allies had lost WW2 in a timeline where Japan and Germany divide the US in The Man in the High Castle. NBC’s Timeless asks if there’s a point of divergence where a husband can travel to the past to root out a shadow organisation before they can murder his wife and child. In speculative works, Michael Crichton asks what if dinosaurs could be brought back to life? In pure science fiction, Gene Roddenberry questioned if it’s possible for the planet to unite to pursue the stars. We’ve always asked questions. We’ve always sought answers. And we’ve always sought something new to entertain us. Now, more than ever, alternate history is at a tipping point ready to both inform us and become more mainstream. In our contemporary world where violence has hit the streets and shadows of history linger to carry on the hate from the past, it’s no wonder people look to see where we went awry. People want to believe there’s a better world than ours.

It’s why TV shows in the alternate history genre are gaining momentum. In an alternate timeline both Confederate and Black America could have debuted in 2019, though in ours both are still in development. The two shows would have had opposing takes on the system of slavery in America. Confederate would have examined what slavery would look like in a modern America. Black America would have imagined a world where part of the South is governed by former slaves. In either case, both hinged on a world changed during the Civil War. A time when our country was divided, as it seems ever so now.

Alternate history serves as a warning. It can tell us how close we came to living in a society even darker than our own, or what we could have done differently to live in a better world now. Social commentary has always been an intrinsic component of science fiction. But most of those science fiction tropes are worn and irrelevant compared to the difficulties we’re facing at the moment. We’re searching for something relevant. Zombies are dying, vampires suck, and comics – the once new zeitgeist of spandex-clad gods and goddesses of the modern era, are already a decade into their golden age cinema era. Comic fans have seen the Avengers Assemble and the Justice League Unite. It’s no longer terra incognita. So, what then, will fill the void?

Alternate history gives us an infinite number of worlds to create and explore, all based off a single, tiny change. It can give us both entertainment and social commentary as it tackles how things could have been and why. It allows us to build a better timeline and thereby make the changes necessary to improve our own. And on the flipside, it lets us see how it could have been much worse.

Arnold's headquarters at West Point, which he hoped to surrender to the British

Back to Benedict the Traitor once more. He attempted to defeat the Americans by surrendering the forts on West Point to the British forces in return for money, thus handing them an easy victory. When that failed, as a turncoat and a redcoat, he sacked Richmond, then turned his gaze northward and razed the city of New London, burning it to the ground and leaving nothing but ash and scars. Ultimately, he faded into obscurity and notoriety, a single pair of bronzed boots the only monument to a man who is little credited for saving an infantile America before betraying it.

But Benedict’s betrayal isn’t the worst outcome. His plan could have succeeded and the British could have won a decisive blow by taking West Point. Even if that scheme had failed, it could have still been worse for the patriots. There could be a world where the British promoted Benedict and gave him Cornwallis’ Southern command. It’s possible Benedict Arnold could have defeated George Washington and the French forces, thereby keeping America under British control with Arnold rewarded with a powerful position in a British America. Somewhere in some world, a gilded statue of Benedict Arnold glistens in Hyde Park outside the Parliament building as time, under the ever-watchful face of Big Ben, ticks on.

Alternate history may give us many worlds, but we only have the one. Let’s embrace the growing genre, use it as escapism and Friday night fare, but more importantly, use the lessons from other failed earths to make ours the best possible.

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Brent A. Harris is an author of multiple books including the AH Novels 'A Time of Need' and 'A Twist in Time'.

© 2019, Sea Lion Press.

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