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MAKING MURDER SOUND RESPECTABLE

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    “Political language… is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.” – George Orwell

     

    The Fascist and Communist dictatorships left a bloody stain on the 20th Century, leaving tens of millions dead in their wake and a bitter taste in the mouth for hundreds of millions more when they encounter those ideologies. But what if they had never got the opportunity to do that damage?

     

    A world where the Russian Revolution didn’t produce a Communist superpower, and Hitler never found success at the ballot box. A world where the political fears and tensions of the 1930s continued, unmolested by the pressures of total global war.

     

    In Making Murder Sound Respectable, Bob Mumby explores this world through a very different British election night, from the perspective of a group of students watching the results on television. While they worry about what kind of curry they want, events unfold in the background that reveal a glimpse of a radically different world. Communist and Fascist thugs clash in the streets, and foreign commentators pontificate on whether the Union Party has strayed too far from Oswald Mosley’s principles, while far from Britain’s shores the forces which have been contained for a century may yet be unleashed.