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By Matthew Kresal. Deathworld cover, image courtesy Big Finish website For Doctor Who’s tenth season, the programme celebrated a decade on-screen with a serial featuring the three actors who had played the Time Lord. But while The Three Doctors as broadcast primarily focused on the Jon Pertwee and Patrick Troughton incarnations (ill health left William Hartnell in a supporting role) as they faced off against the vengeful Time Lord Omega, the tenth anniversary serial was almos

By Ryan Fleming. Gump & Co cover, image courtesy Amazon marketplace Every work is a product of its time. Some might be ahead of their time or look back to an earlier time, but even these cannot look forward or back without being products of their time. At times, whether or not something can be a product in a particular time can change very suddenly. Adaptations of the comic Watchmen kept struggling during the 1990s in part because the dark Cold War tale seemed out of sync wit

By Gary Oswald. Boer commandos posing for the camera, ready to fight the British invasion. They had sympathy in Europe, which similarly posed and motivated black soldiers never did. Picture public domain, courtesy Wikimedia Commons. In October of 1899, after a long crisis, the two Boer states of the Orange Free State and the Transvaal Republic declared war on the British Empire and sent their armies to invade British Natal and the Cape Colony. There is a great irony of the Se

By Matthew Kresal. Introduced in 1961, the Fantastic Four changed the face of comics. The foursome offered a new take on the genre as a dysfunctional but loving family; their presence put Marvel Comics on the map and set up a still ongoing rivalry with DC Comics both on the page and, later, on cinema screens. They’ve been the stars not only of their own comic for much of the last sixty years but a brief lived radio series, animated television shows, and sometimes ill-fated fe